Visual Essay: Cyrus Cornut

Paris-based photographer Cyrus Cornut documents landscapes touched by development; revealing the human trace while deftly making his own mark.

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a woman on the edge of a river and docks stands in front of overgrowing vegetation as a tower is built in the distance


The trained architect turned artist keenly observes spaces of use, and disuse, examining the ways in which humans interact with their surroundings. Central to his delicately haunting work is the city; transformation, evolution and destruction and the trace that humans leave of themselves within and upon spaces, since 2011, he has turned focus to the play of plants and human-made structures.

woman walking underneath a freeway development and mist

In his visual concerns for capturing the human imprint, he has created still images that take on distinctly cinematic ambiance. Each implying a narrative; a happening or about-to-happen-ing in the scene.
With so much of the landscape enveloped within the grand compositions; the impossible detail of the foregrounded earth and vegetation gives a sense of a tableau, human figures are minimized by the scale of their surroundings, and the haze that screens the imposing structures in the distance render them more like dreams of a time before; unrealized or undone. 

a lone derelict building stands on the outskirts of developments in a large city

In some images, sites of construction and infrastructure take on an atmosphere of the dystopia; with lands razed between, vegetation becoming overgrowth, structures are instead seen as those left standing after some shifting event. What is partly-built joins partly-crumbled until no distinction can be made between the two.

Large format photographer Cyrus Cornut, freeway development overgrowth and wildlife
large buildings in a distance being built, land development large format photography


For the past few years, Cornut’s projects have been based in large format 4×5 film photography, allowing for these expansive and complex captures. This now-rare process ensures not only incredible detail is preserved, but the size and setup of a 4×5 for the photographer means becoming physically immersed in a landscape at a pace set by the heavy camera. 

a bridge over water seen through the mist as a fisherman stands at the shore


“The slow time necessary for wandering, the essential reason for the photographic journey, is an integral part of my work.” The extension of process allows Cornut to see unexpected beauty  “I seek to find, through framing work, bits of visual harmony and poetry in the world, and they exist even where it can be degraded.”

a desolate fishing town seen in the early light of dawn tires near an abandoned bus
a landscape overgrown and misty

You can see more of his stunning work on his Format sito web del portafoglio and purchase his book, Chongqing sur les quatre rives du temps qui… published by Atelier EXB .

photographer Cyrus Cornut taking self portrait with film camera

Collaboratore

  • Julia Martin è un'artista interdisciplinare e scrittrice di Montreal. Con un master in arti visive e un master in fotografia, il suo lavoro è stato esposto in Canada, Cina, Francia e Finlandia, anche in diverse residenze d'artista. Ha insegnato all'Università di Ottawa, ha fatto parte di giurie artistiche e ha quindici anni di esperienza come fotografa freelance. La pratica artistica di Julia potrebbe essere meglio descritta come "storie tristi punteggiate da battute"."

    Anche se a volte è il contrario.

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